Beatrix Reinhardt
  • Projects 

    • Club Series - "Members Only"
    • The Battlefields
    • India Series: universities
    • Coca Cola
    • DDR-Kinder von Namibia
    • On the Rocks – Landscapes of Greenland
    • Art Shanty Project 2007
  • Ertüchtigung series 

    • Statement
    • Ertüchtigung: Chapter I - Barcelona
    • Ertüchtigung: Chapter II - Kiev
    • Ertüchtigung: Chapter III - Pietermaritzburg
    • Ertüchtigung: Chapter IV - Kumbha Mela 2013
    • Ertüchtigung: Chapter V - Varanasi
  • Pipeline series 

    • landscapes - 550km Druschba Trasse, a Friendship Pipeline
    • structures
    • historical images
    • texts
  • Poetry of Functionality series 

    • Canticle: Pioniere by Melanie Almeder (statement)
    • Aprons
    • Suburbia - space invaders
    • Old Parliament House
    • Beijing Living rooms
    • GDR Museum in Wittenberg
    • Junge Pioniere
  • Biography 

  • Exhibition record 

  • Contact 

 

more info
Image Title, 2008. 30x30" C-Type Print, $500. Edition of 20.
 
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© 2013 Beatrix Reinhardt
Aprons
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Apron series –  part of Poetry of Functionality series (2000-2004)
All prints of Apron series are 30x40 inches, lambda prints, edition of 7
Other images series vary in size

For individuals, as for communities, it may be said that memory is identity. At the very least it is an essential part of it. To lose your memory is, quite literally, no longer to know who you are, and we have all witnessed the consequences both in individuals and in communities. 
All societies have devised systems and structures, objects and rituals to help them remember things that are needful if the community is strong  - the individuals and the moments that have shaped the past, the beliefs and the habits which should determine the future.

I grew up in East Germany. After the unification, the systems, objects and rituals we have devised were declared invalid, and we were asked to forget them quickly and entirely. 

This body of work investigates the items, objects and the juxtaposition of objects (interiors) that trigger my memory, memory that has been subjected to interpretation, even has been censored, and has been subjected to sentimentality.

Objects stir recollection, and they inspire stories whose retelling constitutes memory. As memory itself is constantly on the move, so too are the narratives, in which the meaning of objects is embedded, forever evolving, reshaped in order to make our sense of the present lead coherently towards a desired future.


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untitled, 2004%%%

40x30"Lambda print
Edition 2 of 7

$ Purchase Options
untitled, 2004%%%

40x30"Lambda print
Edition 2 of 7

$ Purchase Options
untitled, 2004%%%

40x30"Lambda print
Edition 2 of 7

$ Purchase Options
untitled, 2004%%%

40x30"Lambda print
Edition 2 of 7

$ Purchase Options
untitled, 2004%%%

40x30"Lambda print
Edition 2 of 7

$ Purchase Options
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